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  1. Speaking of Grammy, wonderers wonder: If Ariana Grande is cool enough to headline Coachella, why isn’t she cool enough for a top-tier Grammy nom? The Republic superstar, with expert guidance from Scooter Braun, has had a massive year. She’s scored multiple hits garnering impressive streams, spins and sales; the redemptive Manchester benefit; diverse, effective TV looks; and an overwhelming social-media profile (as she gracefully weathered a high-profile breakup). Grande is unquestionably one of the top artists of the moment. Why she was consigned to the Grammy Pop ghetto—alongside fellow marketplace movers Camila Cabello and Taylor Swift, also inexplicably snubbed in marquee categories—remains a head-scratcher, and speaks to the ongoing lack of transparency in the process. Will Grande appear on the show? For the time being, Grammy probably needs her more than she needs Grammy. FUENTE: http://hitsdailydouble.com/news&id=314820&title=I.B.-BAD-ON-MUSIC
  2. 'Fantasy' 20 Years Later: How One of Mariah Carey's Biggest Singles Became the Future of Pop Music A turning point in Carey’s career, the chart-topping song quickly became a trendsetter, giving birth to a new genre -- “hip-pop” -- as TLC’s Lisa “Left Eye” Lopes once put it. “My first thought was, ‘Who the hell allowed this to happen?’” former MTV news correspondent John Norris tells ET about the remix’s initial release. "It wasn't just a pop singer and a rapper," he adds. "It was the sweetest pop singer and as gritty of an East Coast rapper as we had at the time." While Columbia Records -- Carey’s label from 1988 to 1999 -- gave it the ultimate go-ahead, it was Carey who relentlessly pushed Tommy Mottola, the head of the label and her then-husband, for creative control. She was restless. And ready. “The record companies didn’t understand my collabs with hip-hop artists and producers, such as ‘Fantasy’ with ODB or ‘Heartbreaker’ with Jay Z,” Carey told Variety in August. “Now anyone would kill to have a record with Jay Z. I got a lot of flak for that.” “People who wanted her to be a Celine Dion-type artist had gripes about it," rapper Da Brat recalls to ET. A close friend and collaborator of Carey’s, the rapper would help with the singer’s urban transition. Regarding Carey’s fringe makeover, Brat says, “Tommy Mottola didn’t want that. He didn’t want her on that level. He didn't even want her associating with rappers like that. She fought for that, because Mariah’s got a little hood in her.” Carey’s fight was victorious, igniting a wave of collaborations in the dirty-pop vein of “Fantasy" and “Heartbreaker.” Jennifer Lopez teamed up with Ja Rule for two of her biggest singles, “I’m Real” and “Ain’t It Funny (Murder Remix).” Fergie, who first broke on the scene as the hook singer of The Black Eyed Peas, collaborated with Ludacris on her solo release. Christina Aguilera teamed up with Redman. And Ashanti found success with a number of rappers. By 2002, the format was so popular that the GRAMMYs introduced an award for the Best Rap/Sung Collaboration, which eventually went to Beyonce and Jay Z for “Crazy in Love.” “She set the trend," Brat says of Carey, whose influence is clearly seen in a number of today’s young artists -- even if today’s new generation of singers don’t realize the path they’re following. "All the new R&B and younger pop artists should worship the ground Mariah walks on because she paved the way in so many different ways by trying different things that the world didn't necessarily agree with,” she adds. “And that's what these new artists lack -- they lack appreciation, and they lack respect.”
  3. - 365 días desde su lanzamiento - Estuvo 252 días en el HOT 100 - En total, 36 semanas en el chart con peak de #6 - #1 en las Radios Pop de EEUU y muy pedida por el público (payola felizmente OUT) - 3X Platino (elegible a 4X) - Más de 930k en ventas puras - Es la tercera canción más escuchada de Spotify US con un total de 175m de reproducciones Y antes de decir que el éxito es sólo local: - 508.126.474 de reproducciones en Spotify WW - 467.453.721 en Youtube - +7.1m de unidades vendidas en el mundo - #9 en el chart de UK, 25 semanas en total y platino - #8 en Australia, doble platino - 3X Platino en Canadá - Platino en Nueva Zelanda e Italia - Diamante en Brasil, uno de los mayores mercados del mundo Y porque no somos sólo éxito sino también talento: - Estuvo en varias listas de Lo Mejor del 2017 - Idolator: "Es una jugada osada y acertada de Demi. No hay nada errado en Sorry Not Sorry. La voz de la cantante está increíble (como de costumbre)". - Billboard: "Los haters la van a odiar. Y Demi se va a reír en sus caras. La cantante se transforma en una heroína en Sorry Not Sorry, que es como un tiro a media noche". - Forbes: "Lovato muestra los poderosos vocales que la separan de sus pares hace años. Demi se mira al espejo y con toda razón, se elogia" Y recordemos la performance más icónica que tuvo donde se rie de los haters:
  4. It semi-feels like Xtina is back. The pop star shot some seriously epic photos for Paper, but in the interview doesn't offer too much about her forthcoming era. Hey, we'll take what we can get. What can we take away from her sit-down? She praises the Queen of Pop. "Madonna had to go through it in her day, and she paved the way for my generation to come up. And paying it forward, now a younger generation is coming up and I'm loving what I'm seeing. It's so incredible." Namechecks Childish Gambino ("He's genius"), gives props to Chance the Rapper ("He's made it without a label, without any strings attached, and being so charismatic at the same time") and Cardi B ("She makes people really crack up just by being herself, and it's genuine." ENTREVISTA Y SESIÓN DE FOTOS COMPLETAS: http://www.papermag.com/christina-aguilera-transformation-2553214651.html?rebelltitem=7#rebelltitem7 ¿Te gustaron las fotos? ¿Esperas nueva música?